This first week of class we've been focusing on the history of travel writing. Travel writing bloomed after the Renaissance in Europe, and while there was a shortage of Ford Econoline Vans in those days, they did have ships to take them across the seas, horse drawn carriages and various beasts of burden. Robert Louis Stevenson, famously, traveled with a donkey. I can't help but wonder how the company of a donkey would compare with four other temperamental musicians, but it's best I steer clear of such musings. I have vowed to temper my own partiality, or at least be honest about it.
The early travel writers didn't always manage to hide their partiality and notions of cultural superiority. According to a piece we read for class by Joan Pau Rubies entitled, "Travel Writing and Ethnography," mapping the world and its cultures was a huge part of travel writing's early history. Missionaries learned native languages and customs with the goal of spreading Christianity. Explorers were often employed to learn about native cultures for the purpose of colonization and trade. There was also a curiosity that grew out of the period of Enlightenment "which often informed specific debates - about the capabilities and origins of the American Indians, the definition of 'natural man', the influence of climate on national characteristics, or the existence of stages in the history of civilisation." I suppose it best I refrain from describing the characteristics of drummers or imparting my opinions of various musicians, concert promoters and nightclub owners in the rungs of civilization.
Modern travel writing has moved beyond a quest for discovering new cultures and cataloging them. The world has become a smaller place with technology: television, radio, the internet, and the mouth watering purveyors of culture, The Food Channel and The Travel Channel. James Clifford in his talk, "Travel and Translation in the Twentieth Century" speaks of how it is impossible to isolate one culture from another, "Natives, people confined to and by the places to which they belong, groups unsullied by contact with a larger world, have probably never existed." They certainly do not exist today. So where does that leave the modern travel writer? Who is her audience? Where is her niche? Because of the proliferation of information in today's culture, travel writers, like most professionals have to specialize.
And that leads me to my little blog. In the words of my middle school language arts students, "What should I write about, Miss?" My writing background is that of a songwriter. What does a song have that could transfer to a travel blog? A hook, perhaps: that magic line that pulls you in and gets you humming? Runaway Jane, a blog we looked at in our class this week, seeks to hook her young audiences with a hip voice and a knowledge of youth oriented budget travel.
Jane Watson, in her story, "Where the Roads Diverged," combined memoir and travel writing in a piece about her youth and what led her to become a travel writer. (The Best American Travel Writing, Houghton Mifflin, 2008). What I enjoyed about Watson's piece was that it told a story. It wasn't just a list of sights and impressions. Memoir is often a key element of song lyrics as well, a telling detail, a memory, an image that sets the scene and creates the mood. My favorite songs are narrative ballads. I like the ones with a strong character and voice. Perhaps that should be my focus, for now, as I begin my journey, literally and figuratively, as a travel blogger.
"Sit write down and you'll hear a tale, a tale of a fateful trip..."
from The Ballad of Gilligan's Island, by George Wyle and Sherwood Shwartz




Hi, Nancy!
ReplyDeleteFirst of all - I checked out your music. =) Sooo cool! I love folk music and fusion music, so it was really neat for me to see how you and your band combined different folk styles. I've played the violin/fiddle since I was six (classically trained but always fiddled for fun) and I'm currently attempting to teach myself the mandolin. My family has always been big fans of Celtic music, adopting the Scots-Irish part of our heritage. =) Anyway, I'd love to talk with you more about your experiences!
Okay, so for commentary on the blog: Great job managing the prompt, which (to me, anyway) felt a little too "essay-ish" for a blog. But you threw in some humor and personal anecdote, and this really helped maintain interest.
I particularly liked your paragraph about how technology has influenced travel writing. The quote that you included was very apt for the point you were making. I also appreciated how your post in general moved from general to specific.
Finally, I think that your comparison of song lyrics and travel writing is very interesting. It is absolutely true that both must tell good stories in order to be captivating. If you can allow yourself the freedom to capitalize on the creative individual voice you've developed through song writing, I think your future blog posts will be fascinating.
Also, even though it seems like maybe you don't want to let too much of your past experiences seep into your current travel writing, I would encourage you to do so if you can make it work. In your entire blog, this was the thing I was most interested in! I wanted to hear about what it was like to travel with "four other temperamental musicians." You have some very unique travel experiences that most of us haven't had! I sense some good travel stories that I would love to hear ...
Vanessa,
ReplyDeleteThanks for the encouraging post. I'm attempting to teach myself the mandolin as well. You have a good start since it's tuned like a violin. I imagine it's the picking and strumming technique that takes practice as it's different from bowing. I work with a fiddle player who plays mandolin. It seems a natural choice. Good luck!
I do have some fun stories from the road that might make for interesting travel blogs. Writers do seem to blend memoir with travel writing these days, as this week's readings attest. I'll give it some thought. Thanks for the advice.
Hi there! I like your first post, it's a great blend of anecdote and quotes from our reading. I also really like the tone, it has a wonderful, rolling personality that makes me feel like you're talking to me :) I love blogs and read a ton of them in my spare time, so I'm impressed this is your first!
ReplyDeleteI would really like to see more about cultural impressions you've gleaned from your time as a musician, especially more stories like the one from your Introduction on the class Discussion page- about how your music was received differently depending on where you were playing. Shows of appreciation are so varied across the globe.
I know we haven't read much on this subject, but your note about "letters to friends back home" really reminded me about 'homesickness' which does happen, and everyone handles it differently.
Keep writing!
Homesickness sounds like an interesting topic to explore. I had a terrible bout of it when I went to camp at the age of twelve. I actually felt physically ill, nauseous. One of the most difficult aspects of being a touring musician was the superficial nature of most of the exchanges, the lack of intimacy. I felt guilty sometimes about missing home when I had the good fortune to be making my living as a traveler.
ReplyDeleteHi Nancy,
ReplyDeleteI really love your blog post! You've set a great tone by blending the course material with bits of humor. I think you may have touched on this in your class intro, but I'd love to hear your perspective on touring and what it's like to be in so many places for such a short period of time. Do still manage to get a feel for the place you're in? You have such a unique perspective as a traveling musician - I am very much looking forward to hearing more about your experiences.